28 November 2016

  Records 1 to 48 of 48    

LAKESIDE COTTAGES AND TWELVE PINS, CONNEMARA
LAKESIDE COTTAGES AND TWELVE PINS, CONNEMARA
Rowland Hill ARUA (1915-1979)

Auction Date / Lot No.: 28 November 2016 / 2

Reserve: €1000

  • Signature: signed lower right; inscribed on label on reverse
  • Medium: oil on canvas
  • Dimensions: 19½ x 29¾in. (49.53 x 75.57cm)
  • Provenance: Family of the artist
  • Exhibited
  • Literature
  • LANDSCAPE

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LANDSCAPE, CONNEMARA
LANDSCAPE, CONNEMARA
Maurice Canning Wilks RUA ARHA (1910-1984)

Auction Date / Lot No.: 28 November 2016 / 4

Reserve: €1500

  • Signature: signed lower left; titled on reverse
  • Medium: oil on canvas
  • Dimensions: 16 x 30in. (40.64 x 76.20cm)
  • Provenance: Adam's, 27 May 2015, lot 10; Private collection
  • Exhibited
  • Literature
  • LANDSCAPE

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FARMER SEATED IN A LANDSCAPE, COUNTY GALWAY
FARMER SEATED IN A LANDSCAPE, COUNTY GALWAY
Sean O’Sullivan RHA (1906-1964)

Auction Date / Lot No.: 28 November 2016 / 12

Reserve: €8000

  • Signature: signed and dated lower right; with Dawson Gallery label on reverse
  • Medium: oil on canvas
  • Dimensions: 23½ x 19½in. (59.69 x 49.53cm)
  • Provenance: Adam's, 4 October 2006, lot 74; Private collection
  • Exhibited
  • Literature
  • LANDSCAPE

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GIRL WASHING
GIRL WASHING
Frank McKelvey RHA RUA (1895-1974)

Auction Date / Lot No.: 28 November 2016 / 15

Reserve: €5000

  • Signature: signed lower right; with John Magee label on reverse
  • Medium: watercolour
  • Dimensions: 18 x 13¼in. (45.72 x 33.66cm)
  • Provenance: John Magee, Belfast; Private collection
  • Exhibited
  • Literature
  • FIGURATIVE

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HARD TIMES OF THE THIRTIES
HARD TIMES OF THE THIRTIES
William Conor OBE RHA RUA ROI (1881-1968)

Auction Date / Lot No.: 28 November 2016 / 16

Reserve: €3000

  • Signature: signed upper left; titled on reverse
  • Medium: watercolour and ink
  • Dimensions: 12¼ x 9in. (31.12 x 22.86cm)
  • Provenance: Collection of George and Maura McClelland
  • Exhibited
  • Literature
  • FIGURATIVE

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TAKING A NAP
TAKING A NAP
William Conor OBE RHA RUA ROI (1881-1968)

Auction Date / Lot No.: 28 November 2016 / 19

Reserve: €4000


GUY [BOTTERELL] READING
GUY [BOTTERELL] READING
William John Leech RHA ROI (1881-1968)

Auction Date / Lot No.: 28 November 2016 / 25

Reserve: €1000

  • Signature: signed lower left; titled on reverse
  • Medium: pencil
  • Dimensions: 19 x 14½in. (48.26 x 36.83cm)
  • Provenance: Collection of George and Maura McClelland
  • Exhibited
  • Literature
  • William John Leech met the Botterell family in London in 1919, at the end of the First World War, on his return from painting in France and the Botterell family’s return from Holland. Percy Botterell,, an eminent London lawyer had been a commercial attaché to The Hague during the war, and through his wife May, they had met Leech’s older brother, Cecil. Cecil Leech had fought in the First World War, as a commissioned officer in the Royal Horse Artillery. He had spent four years in a prisoner of war camp and as a released prisoner met May Botterell in Holland, where she had organised a relief centre for released prisoners, providing clothes, money and information to aid prisoners on their return home. It was Cecil Leech who, on his return to London, organised the meeting between the Botterell family and the Leech family and it was Percy Botterell who commissioned W. J. Leech to paint portraits of himself, his wife, May and his three children, James, Guy and Suzanne. This meeting and the painting of May’s portrait was to change the Botterell family life irrevocably and was to begin the lifelong relationship between May Botterell and W. J. Leech, which culminated in their wedding in 1953, after the deaths of Percy Botterell in 1951 and Leech’s wife Elizabeth, in 1950. James Botterell was the eldest of the Botterell’s three children and he had remained at school in Winchester, England during the war years. Contemporary photographs show James (Jim) Botterell at Clayesmore School, Winchester, where he excelled at athletics and played the saxophone in the school’s band. Leech painted this portrait of him, c.1923, when he was a boarder at Winchester. A contemporary photograph of Jim1, taken at his mother’s apartment at 24 Hamilton Terrace, London, after she had moved out from the family home at Coombe-Edge, Hampstead, shows Jim as a tall, handsome young man, similar to the image captured by Leech in this portrait. As an artist, Leech had the ability to catch the likeness of his sitter as was the case in his portrait of Chloe Abbott in 1965, forty-three years later. Leech captures Jim, wiser beyond his years, resembling his father, in the shape of his head, the strength of his nose and forehead and the parting of his thick hair. He felt the break-up of his happy family home, very deeply, retaining a deep respect and love for his father and a love for his mother, a mood conveyed in this portrait. In conversation in the 1980s he recalled how vividly he remembered his mother’s visit to Winchester, when he was seventeen, to tell him of her new love affair and her intention to move out of the family home to Hamilton Terrace to be close to Leech’s studio in Hamilton Mews. However, May and Percy Botterell maintained a cordial relationship and family time was spent during the holidays at their large family home in Hampstead and later in the Botterell home in Burley in the New Forest, when Percy Botterell moved out of London. After his father’s death, Jim and his wife Eileen, still continued to entertain the couple at Burley for long visits, especially during May’s later illnesses. Dr Denise Ferran FIGURATIVE

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SUR LE BORD DE LA FORET [FIGURE WITH SHELL]
SUR LE BORD DE LA FORET [FIGURE WITH SHELL]
Mary Swanzy HRHA (1882-1978)

Auction Date / Lot No.: 28 November 2016 / 35

Reserve: €25000

  • Signature: signed lower left; inscribed with title in French and numbered [5] on canvas on reverse; also titled (in English) on Dawson Gallery label on reverse; a second label verso shows title in English, date [1961] and numbered [4]
  • Medium: oil on canvas
  • Dimensions: 30 x 25in. (76.20 x 63½cm)
  • Provenance: Dawson Gallery, Dublin; Whence purchased by Mrs Jamieson; Her sale, Thomas Adams, Blackrock. Private Collection.
  • Exhibited
  • Literature
  • FIGURATIVE

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SAINT STEPHEN'S CHURCH (THE PEPPER CANISTER), DUBLIN, 1941
SAINT STEPHEN'S CHURCH (THE PEPPER CANISTER), DUBLIN, 1941
Norah McGuinness HRHA (1901-1980)

Auction Date / Lot No.: 28 November 2016 / 37

Reserve: €3000

  • Signature: signed and dated lower right
  • Medium: gouache
  • Dimensions: 15 x 21½in. (38.10 x 54.61cm)
  • Provenance: Collection of Mainie Jellett; Thence by descent.
  • Exhibited
  • Literature
  • FIGURATIVE

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RESTING
RESTING
Daniel O’Neill (1920-1974)

Auction Date / Lot No.: 28 November 2016 / 51

Reserve: €25000

  • Signature: signed lower left; titled on reverse
  • Medium: oil on board
  • Dimensions: 19¾ x 26¾in. (50.17 x 67.95cm)
  • Provenance: de Veres, 16 June 2015, lot 25; Private collection
  • Exhibited
  • Literature
  • Resting is a beautifully balanced painting that brings together O'Neill's two great passions, landscape and women. The mood is typically quiet with a subtle sense of disconnect between the subject and the viewer, as she gazes off into the distance. The waters barely break a wave on the shore and give an air of peace and tranquillity to the scene. The palette is a harmony of blues and greys warmed by flesh and earthy tones favoured by the artist. This finish is textured with impasto adding another dimension to the work. Although exhibition records for Resting have not been traced, its size and presentation - in a Dawson Gallery frame - would suggest it must have been included in a significant exhibition at some stage. FIGURATIVE

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CURRACH
CURRACH
Daniel O’Neill (1920-1974)

Auction Date / Lot No.: 28 November 2016 / 53

Reserve: €3000


COUNTRY CART
COUNTRY CART
Daniel O’Neill (1920-1974)

Auction Date / Lot No.: 28 November 2016 / 54

Reserve: €8000

  • Signature: signed lower right; titled on reverse; also with typed Victor Waddington label on reverse
  • Medium: oil on board
  • Dimensions: 13¾ x 17¾in. (34.93 x 45.09cm)
  • Provenance: Victor Waddington, London; Private collection; Adam's, 27 May 2015, lot 89; Private collection
  • Exhibited
  • Literature
  • FIGURATIVE

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STILL LIFE IN PURPLE AND BROWN
STILL LIFE IN PURPLE AND BROWN
Arthur Armstrong RHA (1924-1996)

Auction Date / Lot No.: 28 November 2016 / 56

Reserve: €2000

  • Signature: signed lower left; titled and numbered on reverse
  • Medium: oil on board
  • Dimensions: 24 x 30in. (60.96 x 76.20cm)
  • Provenance
  • Exhibited
  • Literature
  • FIGURATIVE

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THE OLD ORCHARD, 1956
THE OLD ORCHARD, 1956
Basil Blackshaw HRHA RUA (b.1932)

Auction Date / Lot No.: 28 November 2016 / 62

Reserve: €10000

  • Signature: inscribed on Arts Council of Northern Ireland label on reverse
  • Medium: oil on canvas
  • Dimensions: 18½ x 28½in. (46.99 x 72.39cm)
  • Provenance: de Veres, 21 November 2000, lot 302; Private collection
  • Exhibited
  • Literature: Ferran, Brian, Basil Blackshaw - Painter, Nicholson & Bass Ltd., Belfast, 1995, p. 44 (illustrated in colour)
  • The Orchard forms part of a series of intense landscapes, half way between neo-Romanticism and Expressionism, that Basil Blackshaw painted in the mid 1950s; this series could arguably be seen as his first mature body of work after leaving Belfast College of Art. It has a more lyrical mood than some of the darker landscapes of this time. Many of the works of this period appear to be drawn from a specific place and motif, sometimes noted in the title, but they create such a strong sense of mood and of powerful natural forces at work that they transcend their particular local identity and take on a more universal quality. It is intriguing to see in the present painting Blackshaw's apparent awareness of a British contemporary, Alan Reynolds, whose tensely evocative paintings of gardens and farmlands eventually moved into pure abstraction. The twisted, interwoven branches of the trees that dominate the foreground here establish an abstract rhythm and pattern that goes beyond description to create an almost flat, two-dimensional surface that could also be connected with post-war gestural painting in Europe and the USA. The buildings in the distance provide a geometric framework that is dominated by three triangles. This appears to be the same architectural arrangement that is included in a more clearly defined form in Blackshaw's 1957 painting November Cottage. Buildings are often integrated within the landscapes he painted in this period, providing an architectural structure that Blackshaw was to begin to find within the landscape itself in the long series of paintings of Colin Mountain that he embarked on around this time. Dickon Hall ABSTRACT

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LOUGH ERNE LANDSCAPE WITH RUIN, 1975
LOUGH ERNE LANDSCAPE WITH RUIN, 1975
Terence P. Flanagan RHA PPRUA (1929-2011)

Auction Date / Lot No.: 28 November 2016 / 64

Reserve: €4000

  • Signature: signed lower right; inscribed on reverse; also with typed David Hendriks Gallery label on reverse
  • Medium: oil on board
  • Dimensions: 17 x 19in. (43.18 x 48.26cm)
  • Provenance: David Hendriks Gallery, Dublin; Private collection
  • Exhibited
  • Literature
  • ABSTRACT

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CHANSON DE MATIN (ELGAR) PARADISE ISLAND, BAHAMAS, 1980
CHANSON DE MATIN (ELGAR) PARADISE ISLAND, BAHAMAS, 1980
Tony O'Malley HRHA (1913-2003)

Auction Date / Lot No.: 28 November 2016 / 69

Reserve: €15000

  • Signature: signed with initials and dated [1/80] lower left; signed in English and Irish on reverse; also titled, dated and numbered [R266 & 268] on reverse
  • Medium: oil on canvas
  • Dimensions: 36 x 48in. (91.44 x 121.92cm)
  • Provenance: Collection of George and Maura McClelland
  • Exhibited
  • Literature
  • ABSTRACT

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CATTLE, CROWS, ANCIENT MONUMENTS AND WILLOWS IN SUMMER, 1985
CATTLE, CROWS, ANCIENT MONUMENTS AND WILLOWS IN SUMMER, 1985
Tony O'Malley HRHA (1913-2003)

Auction Date / Lot No.: 28 November 2016 / 70

Reserve: €3000

  • Signature: signed with initials and dated lower right; titled lower left; signed, titled, dated [10/8/1985] and numbered [950] on reverse; also with typed Taylor Galleries label on reverse
  • Medium: oil on paper
  • Dimensions: 25¼ x 20½in. (64.14 x 52.07cm)
  • Provenance: Taylor Galleries, Dublin; Private collection; de Veres, 26 November 2002, lot 165; Private collection
  • Exhibited
  • Literature
  • ABSTRACT

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CALLAN LANDSCAPE, THREE ASPECTS, 1983
CALLAN LANDSCAPE, THREE ASPECTS, 1983
Tony O'Malley HRHA (1913-2003)

Auction Date / Lot No.: 28 November 2016 / 73

Reserve: €5000

  • Signature: with artist's initials in the weave lower left; titled on label on reverse
  • Medium: Gobelin style woven tapestry
  • Dimensions: 36 x 53in. (91.44 x 134.62cm)
  • Provenance: Collection of George and Maura McClelland
  • Exhibited
  • Literature
  • Around 1983 George McClelland approached Wexford weaver Terry Dunne to create five unique tapestries based on original artworks by Tony O'Malley from his collection. According to Dunne, these tapestries were originally intended for inclusion in the artist's Arts Council Retrospective in 1984 however this idea was never realised. Instead the artworks remained in the McClelland private collection unseen by the public until now. We are grateful to Terry Dunne for his kind assistance in cataloguing these works. Dunne continues his successful practice in County Wexford and has since produced commissioned pieces for Jane O'Malley, Michael Smurfit & The K Club, Co. Kildare, Monaghan Cathedral, Dublin City University, Irish Life Beresford Place, Dublin and Green Isle Foods among others. For further reading see: www.terrytheweaver.ie ABSTRACT

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CALLAN LANDSCAPE, COUNTY KILKENNY, 1983
CALLAN LANDSCAPE, COUNTY KILKENNY, 1983
Tony O'Malley HRHA (1913-2003)

Auction Date / Lot No.: 28 November 2016 / 74

Reserve: €5000

  • Signature: with artist's initials in the weave lower left
  • Medium: Gobelin style woven tapestry
  • Dimensions: 37 x 52in. (93.98 x 132.08cm)
  • Provenance: Collection of George and Maura McClelland
  • Exhibited
  • Literature
  • Around 1983 George McClelland approached Wexford weaver Terry Dunne to create five unique tapestries based on original artworks by Tony O'Malley from his collection. According to Dunne, these tapestries were originally intended for inclusion in the artist's Arts Council Retrospective in 1984 however this idea was never realised. Instead the artworks remained in the McClelland private collection unseen by the public until now. We are grateful to Terry Dunne for his kind assistance in cataloguing these works. Dunne continues his successful practice in County Wexford and has since produced commissioned pieces for O'Malley's wife Jane, Michael Smurfit & The K Club, Co. Kildare, Monaghan Cathedral, Dublin City University, Irish Life Beresford Place, Dublin and Green Isle Foods among others. For further reading see: www.terrytheweaver.ie ABSTRACT

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UNTITLED
UNTITLED
Patrick Scott HRHA (1921-2014)

Auction Date / Lot No.: 28 November 2016 / 95

Reserve: €1500

  • Signature
  • Medium: textile wall hanging partially mounted on board; (irregular)
  • Dimensions: 68 x 59in. (172.72 x 149.86cm)
  • Provenance: Commission by the family of the present owner; Thence by descent
  • Exhibited
  • Literature
  • ABSTRACT

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WOMAN AND CHILDREN ON THE SEASHORE
WOMAN AND CHILDREN ON THE SEASHORE
George Russell ("Æ") (1867-1935)

Auction Date / Lot No.: 28 November 2016 / 104

Reserve: €4000

  • Signature
  • Medium: oil on canvas
  • Dimensions: 16 x 21in. (40.64 x 53.34cm)
  • Provenance: Whyte's, 23 February 2015, lot 20; Private collection
  • Exhibited
  • Literature
  • FIGURATIVE

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GATHERING FERN, 1870
GATHERING FERN, 1870
Francis William Topham RA OWS (1808-1877)

Auction Date / Lot No.: 28 November 2016 / 108

Reserve: €2500

  • Signature: signed and dated lower left
  • Medium: watercolour and body colour
  • Dimensions: 25½ x 17½in. (64.77 x 44.45cm)
  • Provenance: Adam's, 30 May 2001, Lot 19; Private collection
  • Exhibited
  • Literature
  • ANTIQUE

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WOMAN AND CHILD
WOMAN AND CHILD
Richard Thomas Moynan RHA (1856-1906)

Auction Date / Lot No.: 28 November 2016 / 111

Reserve: €3000

  • Signature
  • Medium: oil on canvas
  • Dimensions: 23½ x 32¼in. (59.69 x 81.92cm)
  • Provenance
  • Exhibited
  • Literature
  • With a copy letter from Dr. Michael Wynne of The National Gallery of Ireland to the previous owner confirming the attribution to Moynan. ANTIQUE

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RIVERSIDE VILLAGE
RIVERSIDE VILLAGE
John Faulkner RHA (1835-1894)

Auction Date / Lot No.: 28 November 2016 / 112

Reserve: €1000


TRAWLING OFF DALKEY ISLAND, 1854
TRAWLING OFF DALKEY ISLAND, 1854
Edwin Hayes RHA RI ROI (1819-1904)

Auction Date / Lot No.: 28 November 2016 / 116

Reserve: €4000

  • Signature: signed and dated lower right
  • Medium: oil on canvas
  • Dimensions: 10¼ x 16in. (26.04 x 40.64cm)
  • Provenance: Whyte's, 10 October 2000, lot 79; Private collection
  • Exhibited
  • Literature
  • ANTIQUE

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ROSS CASTLE WITH FEMALE FIGURE IN FOREGROUND, KILLARNEY, COUNTY KERRY
ROSS CASTLE WITH FEMALE FIGURE IN FOREGROUND, KILLARNEY, COUNTY KERRY
Andrew Nicholl RHA (1804-1886)

Auction Date / Lot No.: 28 November 2016 / 120

Reserve: €1500

  • Signature: signed lower left
  • Medium: watercolour
  • Dimensions: 13½ x 20in. (34.29 x 50.80cm)
  • Provenance: Collection of George and Maura McClelland
  • Exhibited
  • Literature
  • ANTIQUE

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FIGURES IN A BOAT WITH A RUINED CASTLE IN THE DISTANCE
FIGURES IN A BOAT WITH A RUINED CASTLE IN THE DISTANCE
Andrew Nicholl RHA (1804-1886)

Auction Date / Lot No.: 28 November 2016 / 121

Reserve: €1500

  • Signature: signed lower right
  • Medium: watercolour
  • Dimensions: 12½ x 19¾in. (31¾ x 50.17cm)
  • Provenance: Collection of George and Maura McClelland
  • Exhibited
  • Literature
  • ANTIQUE

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SHOWING HIS TREASURES
SHOWING HIS TREASURES
Arthur David McCormick RBA RI ROI (1860-1943)

Auction Date / Lot No.: 28 November 2016 / 124

Reserve: €2000

  • Signature: signed lower right; with Maple & Co [London] label on reverse
  • Medium: watercolour
  • Dimensions: 21 x 29¾in. (53.34 x 75.57cm)
  • Provenance: Maple & Co, London; Private collection
  • Exhibited
  • Literature
  • ANTIQUE

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POLAR BEAR, 1930
POLAR BEAR, 1930
George Frederick Morris Harding PRUA RHA ARBS (1874-1964)

Auction Date / Lot No.: 28 November 2016 / 128

Reserve: €1500

  • Signature: signed and dated
  • Medium: Carrara marble on Connemara marble base
  • Dimensions: 2½ x 6¾ x 5¼in. (6.35 x 17.15 x 13.34cm)
  • Provenance: Collection of George and Maura McClelland
  • Exhibited
  • Literature
  • Morris Harding lived in Belfast where he shared a studio with Rosamond Praeger. He executed a large number of works for churches throughout Ireland and exhibited at least fifty pieces at the RHA, Dublin until 1953. Animals feature heavily within his oeuvre. A Polar Bear was shown at the RHA in 1953, no. 193. SCULPTURE

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HUMAN IMAGE VI
HUMAN IMAGE VI
Louis le Brocquy HRHA (1916-2012)

Auction Date / Lot No.: 28 November 2016 / 131

Reserve: €1500

  • Signature: signed and numbered in pencil in the margin lower right; Fenton gallery label inscribed with title and date [2005] on reverse
  • Medium: silkscreen; (no. 50 from edition of 75)
  • Dimensions: 34 x 25in. (86.36 x 63½cm)
  • Provenance
  • Exhibited
  • Literature
  • Sheet size, 39.75 by 30in. The Human Image series spanned the years c.1996-2005 and saw le Brocquy further develop his preoccupation with the human spirit or psyche which he first examined in his Presences series of mid 1950s to mid 1960s. Curator and lecturer Caoimhín Mac Giolla Léith has described the artist's motivation for this later series as a …painterly investigation of 'the mysterious state of conscious being.'" ABSTRACT

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HUMAN IMAGE I
HUMAN IMAGE I
Louis le Brocquy HRHA (1916-2012)

Auction Date / Lot No.: 28 November 2016 / 132

Reserve: €1500

  • Signature: signed and numbered in pencil in the margin lower right
  • Medium: silkscreen; (no. 50 from edition of 75)
  • Dimensions: 34 x 25in. (86.36 x 63½cm)
  • Provenance
  • Exhibited
  • Literature
  • Sheet size, 39.75 by 30in. The Human Image series spanned the years c.1996-2005 and saw le Brocquy further develop his preoccupation with the human spirit or psyche which he first examined in his Presences series of mid 1950s to mid 1960s. Curator and lecturer Caoimhín Mac Giolla Léith has described the artist's motivation for this later series as a …painterly investigation of 'the mysterious state of conscious being.'" ABSTRACT

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GAVAROCHE, 1980
GAVAROCHE, 1980
Pauline Bewick RHA (b.1935)

Auction Date / Lot No.: 28 November 2016 / 149

Reserve: €2000

  • Signature: signed and numbered [1 of 4] lower right
  • Medium: watercolour over ink and pencil on paper
  • Dimensions: 31 x 22in. (78.74 x 55.88cm)
  • Provenance
  • Exhibited
  • Literature
  • FIGURATIVE

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RETIRE & PARROT FISH, SOUTH SEAS, 1999
RETIRE & PARROT FISH, SOUTH SEAS, 1999
Pauline Bewick RHA (b.1935)

Auction Date / Lot No.: 28 November 2016 / 151

Reserve: €2000


LANDSCAPE
LANDSCAPE
Frank Egginton RCA (1908-1990)

Auction Date / Lot No.: 28 November 2016 / 155

Reserve: €1000

  • Signature: signed lower right; with Maurice Edward Dear [Southampton] label on reverse
  • Medium: watercolour
  • Dimensions: 20¼ x 29¼in. (51.44 x 74.30cm)
  • Provenance: Maurice Edward Dear, Southampton; Private collection
  • Exhibited
  • Literature
  • LANDSCAPE

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BALLYSKEAGH, COUNTY DOWN
BALLYSKEAGH, COUNTY DOWN
Frank Egginton RCA (1908-1990)

Auction Date / Lot No.: 28 November 2016 / 158

Reserve: €800


PORTMARNOCK GOLF COURSE, COUNTY DUBLIN, 1991
PORTMARNOCK GOLF COURSE, COUNTY DUBLIN, 1991
Norman J. McCaig (1929-2001)

Auction Date / Lot No.: 28 November 2016 / 160

Reserve: €2000

  • Signature: signed and dated lower left
  • Medium: oil on canvas
  • Dimensions: 23¾ x 35¼in. (60.33 x 89.54cm)
  • Provenance: Adam's, 31 March 2010, lot 178; Private collection
  • Exhibited
  • Literature
  • LANDSCAPE

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A STRONG BREEZE, IRISH SEA
A STRONG BREEZE, IRISH SEA
Rowland Hill ARUA (1915-1979)

Auction Date / Lot No.: 28 November 2016 / 162

Reserve: €1000

  • Signature: signed lower right; inscribed on label on reverse
  • Medium: oil on canvas
  • Dimensions: 20 x 30in. (50.80 x 76.20cm)
  • Provenance: Family of the artist
  • Exhibited
  • Literature
  • LANDSCAPE

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CROWDED CHURCH, SKERRIES, 11AM MASS, MAY 1970
CROWDED CHURCH, SKERRIES, 11AM MASS, MAY 1970
Patrick Leonard HRHA (1918-2005)

Auction Date / Lot No.: 28 November 2016 / 165

Reserve: €4000


SUMMER'S DAY, LOUGHSHINNY, COUNTY DUBLIN
SUMMER'S DAY, LOUGHSHINNY, COUNTY DUBLIN
Patrick Leonard HRHA (1918-2005)

Auction Date / Lot No.: 28 November 2016 / 166

Reserve: €2000

  • Signature: signed lower left; titled on reverse; also with RHA exhibition label on reverse
  • Medium: oil on board
  • Dimensions: 18¾ x 22½in. (47.63 x 57.15cm)
  • Provenance
  • Exhibited
  • Literature
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IN A GLANCING LIGHT [STUDY, SEPTEMBER SUNSET, TALLOW]
IN A GLANCING LIGHT [STUDY, SEPTEMBER SUNSET, TALLOW]
Arthur K. Maderson (b.1942)

Auction Date / Lot No.: 28 November 2016 / 176

Reserve: €3500


STILL LIFE ON A WINDOW SILL, 1958
STILL LIFE ON A WINDOW SILL, 1958
Markey Robinson (1918-1999)

Auction Date / Lot No.: 28 November 2016 / 178

Reserve: €2000

  • Signature: signed lower right; dated on reverse
  • Medium: gouache on board
  • Dimensions: 15 x 26¼in. (38.10 x 66.68cm)
  • Provenance: Collection of George and Maura McClelland
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  • Literature
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TWO COTTAGES AND A SHAWLIE
TWO COTTAGES AND A SHAWLIE
Markey Robinson (1918-1999)

Auction Date / Lot No.: 28 November 2016 / 179

Reserve: €4000


COTTAGE AND SHAWLIE BY A COAST ROAD
COTTAGE AND SHAWLIE BY A COAST ROAD
Markey Robinson (1918-1999)

Auction Date / Lot No.: 28 November 2016 / 184

Reserve: €2000


NORTH ITALIA
NORTH ITALIA
Markey Robinson (1918-1999)

Auction Date / Lot No.: 28 November 2016 / 185

Reserve: €2500


COLOUR IN THE TELLERTEBA
COLOUR IN THE TELLERTEBA
Markey Robinson (1918-1999)

Auction Date / Lot No.: 28 November 2016 / 187

Reserve: €1500

  • Signature: signed lower left; titled on reverse
  • Medium: gouache
  • Dimensions: 18¾ x 24¼in. (47.63 x 61.60cm)
  • Provenance: Family of the artistThe proceeds of the sale of this work will go to The C.A.R.I. Foundation, which provides therapy and counselling to children who have suffered sexual abuse.
  • Exhibited
  • Literature
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WATCHING THE BOATS RETURN
WATCHING THE BOATS RETURN
Markey Robinson (1918-1999)

Auction Date / Lot No.: 28 November 2016 / 188

Reserve: €2000


GLENDON'S YARD [RATHFARNHAM, COUNTY DUBLIN] c.1991
GLENDON'S YARD [RATHFARNHAM, COUNTY DUBLIN] c.1991
Graham Knuttel (b.1954)

Auction Date / Lot No.: 28 November 2016 / 195

Reserve: €2500

  • Signature: signed lower right; titled on RHA exhibition label on reverse; also with Apollo Gallery label on reverse
  • Medium: acrylic on board
  • Dimensions: 36 x 48in. (91.44 x 121.92cm)
  • Provenance: RHA, Dublin; Private collection
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  • Literature
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TWO GENTLEMEN
TWO GENTLEMEN
Graham Knuttel (b.1954)

Auction Date / Lot No.: 28 November 2016 / 196

Reserve: €1500

  • Signature: signed lower right
  • Medium: oil on canvas
  • Dimensions: 20 x 20in. (50.80 x 50.80cm)
  • Provenance: Apollo Gallery, Dublin; Private collection
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