24 February 2014

  Records 1 to 50 of 63     Next 20 results Last results

ROUND TOPPED COMPOSITION (I & II), c.1922
ROUND TOPPED COMPOSITION (I & II), c.1922
Mainie Jellett (1897-1944)

Auction Date / Lot No.: 24 February 2014 / 13

Reserve: €2000

  • Signature: each with inscribed Peppercanister Gallery label on reverse
  • Medium: gouache; (2)
  • Dimensions: 10 by 4in., 25 by 10cm.
  • Provenance: The Collection of Dr Eileen MacCarville;with the Neptune Gallery, Dublin;Private collection;with the Peppercanister Gallery, Dublin;Private collection
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UNTITLED ABSTRACT, c.early 1940s
UNTITLED ABSTRACT, c.early 1940s
Kenneth Hall (1913-1946)

Auction Date / Lot No.: 24 February 2014 / 14

Reserve: €700

  • Signature: signed lower right
  • Medium: oil on board
  • Dimensions: 13.5 by 9.5in., 33.75 by 23.75cm.
  • Provenance: Victor Waddington Gallery, Dublin;Where purchased by the present owner's aunt, a friend of the White Staggists, Rákóczi and Hall;Thence by descent to the current owner
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FIGURES EMBRACING
FIGURES EMBRACING
Daniel O’Neill (1920-1974)

Auction Date / Lot No.: 24 February 2014 / 15

Reserve: €3000


DANCING GIRL, 1892
DANCING GIRL, 1892
Sir John Lavery RA RSA RHA (1856-1941)

Auction Date / Lot No.: 24 February 2014 / 30

Reserve: €6000

  • Signature: signed and dated lower right
  • Medium: oil on panel
  • Dimensions: 8.5 by 5.5in., 21.25 by 13.75cm.
  • North Africa was a place of 'artistic pilgrimage' throughout the 19th century and in the 1880s British artists rediscovered Tangier.(1) Lavery first visited Morocco in 1891 and from this journey produced a large body of work which he showed at the Goupil Gallery, London in spring that year. The present work dates to the early months of 1892 - his second trip to Tangier -and demonstrates his interest in the exotic customs of its natives. Dancing Girl can be linked to A Moorish Dance, 1892 and, more particularly, to El Casbah of the same year (Collection of Allied Irish Banks PLC) which depicts a poised female dancer accompanied by seated musicians. The execution of the present work is lightly drawn and effectively conveys the grace and movement of this delightful figure.Footnote:1. McConkey, Kenneth, Sir John Lavery, Canongate, Edinburgh, 1993, p.83

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HEAD OF OLD WOMAN
HEAD OF OLD WOMAN
Augustus Nicholas Burke RHA (1838-1891)

Auction Date / Lot No.: 24 February 2014 / 33

Reserve: €1500

  • Signature: titled and with artist's name on original label on reverse; also with W. Carling & Son Art Dealers [Whitley Bay, North Tyneside, England] label on reverse
  • Medium: oil on canvas
  • Dimensions: 21 by 18.5in., 52.5 by 46.25cm.
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FIGURES BY A RIVER
FIGURES BY A RIVER
James Arthur O’Connor (1792-1841)

Auction Date / Lot No.: 24 February 2014 / 39

Reserve: €8000


SHIPPING IN SQUALL OFF DOVER
SHIPPING IN SQUALL OFF DOVER
Edwin Hayes RHA RI ROI (1819-1904)

Auction Date / Lot No.: 24 February 2014 / 40

Reserve: €6000


CORNER OF LOUGH ERNE, COUNTY FERMANAGH
CORNER OF LOUGH ERNE, COUNTY FERMANAGH
Maurice Canning Wilks RUA ARHA (1910-1984)

Auction Date / Lot No.: 24 February 2014 / 50

Reserve: €1000


PEACEFUL MORNING, BALLINAHINCH, CONNEMARA
PEACEFUL MORNING, BALLINAHINCH, CONNEMARA
Maurice Canning Wilks RUA ARHA (1910-1984)

Auction Date / Lot No.: 24 February 2014 / 51

Reserve: €1800

  • Signature: signed lower right; signed again and titled on reverse; with Combridge Fine Art label on reverse
  • Medium: oil on canvas
  • Dimensions: 18 by 24in., 45 by 60cm.
  • Provenance: Combridge Fine Art, Dublin;Private collection
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HERDING CATTLE
HERDING CATTLE
Charles J. McAuley (1910-1999)

Auction Date / Lot No.: 24 February 2014 / 52

Reserve: €2500

  • Signature: signed lower left; with F.G. Davis & Sons [Belfast] label on reverse
  • Medium: oil on board
  • Dimensions: 18 by 24in., 45 by 60cm.
  • Provenance: F.G. Davies & Sons, Belfast; Private collection
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ERRIGAL FROM BLOODY FORELAND, DONEGAL
ERRIGAL FROM BLOODY FORELAND, DONEGAL
Charles J. McAuley (1910-1999)

Auction Date / Lot No.: 24 February 2014 / 53

Reserve: €1500


DOLLYMOUNT STRAND AT LOW TIDE, 1928
DOLLYMOUNT STRAND AT LOW TIDE, 1928
Harry Kernoff RHA (1900-1974)

Auction Date / Lot No.: 24 February 2014 / 58

Reserve: €4000

  • Signature: signed and dated lower right
  • Medium: watercolour
  • Dimensions: 9 by 13in., 22.5 by 32.5cm.
  • Provenance: The Collection of Miss Lena Kernoff (the artist's sister);From whom purchased by the previous owner; Whyte's, 21 September 2004, lot 203;Private collection
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NEWFOUNDLAND SCENES, 1957 (A PAIR)
NEWFOUNDLAND SCENES, 1957 (A PAIR)
Harry Kernoff RHA (1900-1974)

Auction Date / Lot No.: 24 February 2014 / 59

Reserve: €1500

  • Signature: each signed and dated lower left; numbered [5 and 7, respectively] on reverse
  • Medium: watercolour over pencil; (2)
  • Dimensions: 10.25 by 13.75in., 25.625 by 34.375cm.
  • Provenance: Godolphin Gallery, Dublin;Private collection
  • Exhibited: Godolphin Gallery, Dublin, year unknown, nos. 5 & 7 (catalogue untraced)
  • Framed and mounted uniformly. Kernoff visited Nova Scotia in 1957 and from there travelled to Newfoundland. An exhibition of his works from this trip was held in the Ritchie Hendriks Gallery Dublin in 1958.

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NEWCASTLE, 1943
NEWCASTLE, 1943
Tom Carr HRHA HRUA ARWS (1909-1999)

Auction Date / Lot No.: 24 February 2014 / 60

Reserve: €400

  • Signature: signed lower left; with Tom Caldwell label on reverse
  • Medium: watercolour
  • Dimensions: 8.5 by 13in., 21.25 by 32.5cm.
  • Provenance: Tom Caldwell Gallery, Belfast;Private collection
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MENDING
MENDING
Grace Henry HRHA (1868-1953)

Auction Date / Lot No.: 24 February 2014 / 62

Reserve: €1500


FOREST LIGHT, c.1976
FOREST LIGHT, c.1976
Barrie Cooke HRHA (b.1931)

Auction Date / Lot No.: 24 February 2014 / 65

Reserve: €4000

  • Signature: signed lower right; with Ritchie Hendriks Gallery label on reverse
  • Medium: oil on canvas
  • Dimensions: 24 by 18in., 60 by 45cm.
  • Provenance: David Hendriks Gallery, Dublin;Private collection
  • Exhibited: 'Barry Cooke', David Hendriks Gallery, Dublin, 22 April to 15 May, 1976, catalogue no. 21
  • Contained in original Hendriks Gallery frame.Forest Light and Behind Kuala Kenyam were both shown at the artist's solo exhibition in the David Hendriks Gallery in May 1976. The exhibition was a result of a three month stay in the intense, diverse and complex ecological system that is the equatorial forests of Malaya and Borneo.

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BEHIND KUALA KENYAM, 1975
BEHIND KUALA KENYAM, 1975
Barrie Cooke HRHA (b.1931)

Auction Date / Lot No.: 24 February 2014 / 66

Reserve: €800

  • Signature: signed, titled and dated [March] lower left; faintly inscribed with title and catalogue number on reverse; also with inscribed David Hendriks Gallery label on reverse
  • Medium: watercolour over pencil
  • Dimensions: 7.5 by 9.5in., 18.75 by 23.75cm.
  • Provenance: David Hendriks Gallery, Dublin;Private collection
  • Exhibited: 'Barry Cooke', David Hendriks Gallery, Dublin, 22 April to 15 May, 1976, catalogue no. 34
  • Contained in original Hendriks Gallery frame.Forest Light and Behind Kuala Kenyam were both shown at the artist's solo exhibition in the David Hendriks Gallery in May 1976. The exhibition was a result of a three month stay in the intense, diverse and complex ecological system that is equatorial forests of Malaya and Borneo.

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TREE, c.1970
TREE, c.1970
Patrick Hickey HRHA (1927-1998)

Auction Date / Lot No.: 24 February 2014 / 67

Reserve: €1500

  • Signature: signed, titled and indistinctly dated lower right; with Dawson Gallery framing label on reverse
  • Medium: watercolour with gouache and ink
  • Dimensions: 20 by 29in., 50 by 72.5cm.
  • ExhibitedPossibly exhibited at 'Patrick Hickey', Tom Caldwell Gallery, Belfast, 25 October to 10 November, 1972, catalogue no. 14 as Tree [listed in watercolour section]
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ANCESTRAL HEAD, 1965
ANCESTRAL HEAD, 1965
Louis le Brocquy HRHA (1916-2012)

Auction Date / Lot No.: 24 February 2014 / 69

Reserve: €35000

  • Signature: signed and dated in pencil lower left; signed again and titled on reverse; also numbered [157] on reverse; with inscribed Hillsboro Fine Art label on reverse
  • Medium: oil on canvas
  • Dimensions: 26 by 21.5in., 65 by 53.75cm.
  • Provenance: Gimpel Fils Gallery, London, c. mid 1960s; Whence purchased by John Hirschhorn; Later donated to The Hirshhorn Museum and Sculpture Garden, Washington DC; From where de-accessioned c.2004; with Hillsboro Fine Art, Dublin;Where purchased by
  • Exhibited: Gimpel Fils Gallery, London, c. mid 1960s
  • Like the Celts I tend to regard the head as this magic box containing the spirit. Enter that box, enter behind the billowing curtain of the face, and you have the whole landscape of the spirit. (1)This painting is an early example of one of the most important series in Louis le Brocquy's oeuvre. In the winter of 1964, the artist paid a visit to the anthropology museum in Paris, the Musée de l'Homme. He had been experiencing something of a crisis in terms of the development of his work, destroying many images with which he was dissatisfied, and he felt at a loss as to how to progress. At the museum, he came across a collection of Polynesian skulls, decorated for ritualistic purposes, and this was to prove the impetus for one of the defining themes of his work. It sparked in him a recognition of the potential of the head image and its relevance to his interpretation of Celtic ethnography. This encounter is credited with inspiring his own series of profound images within the overall concept. This ranged from the early Ancestral Heads, to which this work belongs, and evolved into the portrait series of great writers and artists, like Samuel Beckett and Francis Bacon.Ancestral Head (1965) was carried out in the months following the artist's epiphany and it typifies the series. Presented frontally, it is rendered in white and pale tones, and seems to emerge disembodied from a muted ground. The bands on the dome of the head are a feature of some of the early examples suggesting ancient adornments and a concept of Celtic ancestry. The unidentified individual and the generalisation of the features which are deliberately blurred, infers a universal relevance. The work reflects the artist's stated intention to represent human reality beneath the material appearance. Dr Yvonne ScottJanuary 20141. The artist in conversation with Michael Peppiatt, 1979, (Ed., le Brocquy, P., Louis le Brocquy, The Head Image, Gandon, Cork, 1996, p.22-23

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SANDYCOVE SERIES, 1967
SANDYCOVE SERIES, 1967
Micheal Farrell (1940-2000)

Auction Date / Lot No.: 24 February 2014 / 76

Reserve: €1000

  • Signature: signed and dated lower right; dedicated lower left
  • Medium: screenprint
  • Dimensions: 24 by 37.5in., 60 by 93.75cm.
  • The work of Micheal Farrell has recently been highlighted by Solstice Arts Centre with support of the Arts Council/An Chomhairle Ealaíon with a touring exhibition [Solstice Art Centre, Navan; The Crawford Gallery, Cork and The RHA, Dublin 2013/2014] to encourage a re-evaluation of his important contribution to Irish life as an artist, and as a cultural commentator.

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PASTEL, 1968
PASTEL, 1968
Cecil King (1921-1986)

Auction Date / Lot No.: 24 February 2014 / 81

Reserve: €600

  • Signature: signed in pencil lower right; with inscribed Richard Demarco Gallery label on reverse; also with Ritchie Hendriks Gallery label on reverse
  • Medium: pastel
  • Dimensions: 13.5 by 9.5in., 33.75 by 23.75cm.
  • Provenance: with the Richard Demarco Gallery, Edinburgh;Private collection
  • Exhibited: 'Scottish Painting', Richard Demarco Gallery, Edinburgh (catalogue untraced);Possibly shown at 'Cecil King', Ritchie Hendriks Gallery, Dublin, (until) 28 October 1968, catalogue nos. 21 to 30 of equal size to the present work; all entitled Pas
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SPANISH BULL FIGHTER
SPANISH BULL FIGHTER
George Campbell RHA (1917-1979)

Auction Date / Lot No.: 24 February 2014 / 88

Reserve: €500


TESTING THE WATER
TESTING THE WATER
Leslie Hawk 

Auction Date / Lot No.: 24 February 2014 / 89

Reserve: €2000

  • Signature: signed [HAWK] at base
  • Medium: lead and Perspex
  • Dimensions: 171.25 by 52.5 by 12in., 171.25 by 52.5 by 30cm.
  • Provenance: Sandy Carson Gallery, Denver, Colorado;Private collection
  • Dimensions of base, 3.5 by 17.5 by 12ins.

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FOREST SCENE
FOREST SCENE
Muriel Brandt RHA (1909-1981)

Auction Date / Lot No.: 24 February 2014 / 95

Reserve: €300


DESPERATE GIRL, 2003
DESPERATE GIRL, 2003
Emmanuel Mutizwa (Zimbabwean, b.1975)

Auction Date / Lot No.: 24 February 2014 / 96

Reserve: €1500

  • Signature: signed at base, rear
  • Medium: Zimbabwean springstone; (unique)
  • Dimensions: 56.25 by 31.25 by 8.5in., 56.25 by 31.25 by 21.25cm.
  • Provenance: Savanna Style, Toronto, Ontario;Private collection
  • A copy the Certificate of Authenticity accompanies this lot.

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INTO BATTLE, c.1970s to 1980s
INTO BATTLE, c.1970s to 1980s
John B. Vallely (b.1941)

Auction Date / Lot No.: 24 February 2014 / 105

Reserve: €4000

  • Signature: signed with initials lower right
  • Medium: oil on canvas
  • Dimensions: 20 by 24in., 50 by 60cm.
  • The theme of battles or conflict appear in the artist's oeuvre from the 1970s when titles such as 1st Battle of Moytura [solo show, 27 January to 15 February, Studio 25, Belfast, c.1964] or Battle Study [Solo show, c.mid 1960s location and dates not listed on catalogue] can be found on examples exhibited by him. Later, in 1992 at 'John B. Vallely', Adam Gallery, Armagh, 17-26 September, three further titles demonstrate a continued interest in this theme; Before the Battle of Moytura [no. 2], Hero Battling with Darkness [no. 4] and The Bullet Thrower [no. 13].

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PETAL RED, 2012
PETAL RED, 2012
Francis Tansey (b.1959)

Auction Date / Lot No.: 24 February 2014 / 111

Reserve: €2000


LINEAR TRANSLUCENCE NO. 2, 2011
LINEAR TRANSLUCENCE NO. 2, 2011
Francis Tansey (b.1959)

Auction Date / Lot No.: 24 February 2014 / 112

Reserve: €1500


AN MADRA OCRAIC [SIC] 1984
AN MADRA OCRAIC [SIC] 1984
Edward Mooney HRHA

Auction Date / Lot No.: 24 February 2014 / 134

Reserve: €500


CABBAGE LAMP [REENTRISK, WEST CORK] , 1973-1974
CABBAGE LAMP [REENTRISK, WEST CORK] , 1973-1974
Tim Goulding (b.1945)

Auction Date / Lot No.: 24 February 2014 / 135

Reserve: €400

  • Signature: titled and inscribed on reverse; with typed David Hendriks Gallery exhibition on reverse;
  • Medium: oil on glass
  • Dimensions: 15.5 by 12in., 38.75 by 30cm.
  • Provenance: David Hendriks Gallery, Dublin;Private collection
  • Exhibited: 'Tim Goulding', David Hendriks Gallery, Dublin, August 1974, no. 18
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BENWEE HEAD, BROADHAVEN BAY, COUNTY MAYO, 1970
BENWEE HEAD, BROADHAVEN BAY, COUNTY MAYO, 1970
Roger Coryndon Shackleton (1931-1987)

Auction Date / Lot No.: 24 February 2014 / 136

Reserve: €600

  • Signature: signed and dated lower right; numbered in pencil on reverse; also with Ritchie Hendriks label on reverse
  • Medium: oil on board
  • Dimensions: 28 by 45in., 70 by 112.5cm.
  • Provenance: Gift from artist to owner's father
  • ExhibitedPossibly shown at 'Roger Shackleton', The Small Gallery, RHA, Dublin, 2-16 April 1970, as Benwee Head, catalogue no. 12 [25gns]
  • The Taylor Galleries hosted a 'retrospective' exhibition of Shakleton's work in 1992 which comprised nearly 50 works in oil and mixed media. Roger Coryndor Shackleton was of Quaker ancestry which can be traced to Abraham Shakleton who settled in Ballytore, Co. Kildare in 1726. His great-grandfather founded the Anna Liffey Mill in Lucan in 1886 and his great-great aunt was botanic artist Lydia Shackleton. Roger Coryndor was born in Dublin in 1931 and entered the National College of Art, Dublin in 1949. From 1950-51 studied at the Bath Academy of Art where the senior painting master was William Scott. In 1952 he made his début in the Royal Hibernian Academy. He contributed thirteen works to the academy over the course of his career. In the period 1953-66, he showed eighteen works at the Irish Exhibition of Living Art and in 1954 won the Henry Higgins Travelling Scholarship. Shackleton settled in Blacksod, Co. Mayo, in 1965 and travelled once a week to Keel on Achill Island where he gave art lessons. In 1967 he exhibited paintings of the West of Ireland at the Molesworth Gallery, Dublin. In 1980 he began teaching at the National College of Art and Design continuing until his death in 1987. An exhibition of his works took place in 1992 at the Taylor Galleries, Dublin where James White (Director of the NGI, 1964-1980) wrote the catalogue introduction for the show.

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TREVAYLOR WOODS, CORNWALL, 1977
TREVAYLOR WOODS, CORNWALL, 1977
Jane O'Malley (b.1944)

Auction Date / Lot No.: 24 February 2014 / 137

Reserve: €400

  • Signature: signed with initials and dated lower right; signed again, titled and dated on reverse; also with exhibition number [53] inscribed on reverse
  • Medium: oil on board
  • Dimensions: 4 by 6in., 10 by 15cm.
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BOATS AT ARKLOW HARBOUR
BOATS AT ARKLOW HARBOUR
Liam Treacy (1934-2004)

Auction Date / Lot No.: 24 February 2014 / 139

Reserve: €600


DÚN LAOGHAIRE HARBOUR and COUNT POTEMKIN AND CHORUS IN TCHAIKOVSKY'S CHEREVICHKI", WEXFORD OPERA FESTIVAL, 1993"
Ivan Sutton (b.1944)

Auction Date / Lot No.: 24 February 2014 / 141

Reserve: €800

  • Signature: the first, signed lower right; second, signed lower right; titled and with artist's studio label on reverse
  • Medium: oil on canvas; (1); oil on board; (1)
  • Dimensions: 20 by 16in., 50 by 40cm.
  • Dimensions of second title: 37.5 by 27.5in

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LAUNCHING CURRACHS, ARANMORE, ARAN ISLANDS, COUNTY GALWAY
LAUNCHING CURRACHS, ARANMORE, ARAN ISLANDS, COUNTY GALWAY
Ivan Sutton (b.1944)

Auction Date / Lot No.: 24 February 2014 / 142

Reserve: €1500


GALWAY HARBOUR, 1983
GALWAY HARBOUR, 1983
Frank Feld 

Auction Date / Lot No.: 24 February 2014 / 146

Reserve: €500


ROWING ON THE CORRIB
ROWING ON THE CORRIB
Derek Biddulph (1925–2008)

Auction Date / Lot No.: 24 February 2014 / 148

Reserve: €300


BOWL OF FLOWERS
BOWL OF FLOWERS
Gladys Maccabe HRUA ROI FRSA (b.1918)

Auction Date / Lot No.: 24 February 2014 / 154

Reserve: €800


MOTHER AND CHILD, BANNA BEACH, COUNTY KERRY
MOTHER AND CHILD, BANNA BEACH, COUNTY KERRY
Vivienne St. Clair 

Auction Date / Lot No.: 24 February 2014 / 157

Reserve: €300


THE LAST PAGE, PHOENIX PARK
THE LAST PAGE, PHOENIX PARK
Stuart Morle (b.1960)

Auction Date / Lot No.: 24 February 2014 / 162

Reserve: €5000

  • Signature: signed lower right
  • Medium: oil on copper panel
  • Dimensions: 28 by 33.5in., 70 by 83.75cm.
  • Provenance: Whyte's, 30 April 2007, lot 166;Whence purchased by the present owner
  • Stuart Morle was born in Liverpool and studied Fine Art at the Central School of Art and Design in London from 1979 to 1982. He won an Italian Government scholarship in 1982 and went to live in Siena that year. He established himself as a portrait painter and worked for both British and Italian clients. Commissions have included HRH The Princess Royal for the Field Auxiliary Nursing Yeomanry and Howard Kilroy, Chairman of the Board of Governors of The Bank of Ireland, Des O'Malley, Leader of the Progressive Democrats and Prof. Owen Corrigan of Trinity College, Dublin. Although he is still based in Dublin, Morle is currently working in Lisbon. Among his most recent successes was his submission to London's Royal Academy exhibition in 2013 where a painting of a female artist painter based on a 17th century painting by Frans van Mieris sold for £12,450 (€14,600 approx.).

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MAY ALTAR, 1963
MAY ALTAR, 1963
Thomas Ryan PPRHA (b.1929)

Auction Date / Lot No.: 24 February 2014 / 168

Reserve: €3000


FIGURES LOADING HAY ONTO A CART, 1921
FIGURES LOADING HAY ONTO A CART, 1921
Frank McKelvey RHA RUA (1895-1974)

Auction Date / Lot No.: 24 February 2014 / 169

Reserve: €1000


NEAR GORTAHORK, COUNTY DONEGAL
NEAR GORTAHORK, COUNTY DONEGAL
Frank Murphy RUA (1925-1979)

Auction Date / Lot No.: 24 February 2014 / 170

Reserve: €500

  • Signature: signed lower left; titled verso
  • Medium: watercolour
  • Dimensions: 10 by 13.75in., 25 by 34.375cm.
  • Frank Murphy is the pseudonym of Frank McKelvey Junior, son of the famous Ulster artist.

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MULROY BAY, COUNTY DONEGAL
MULROY BAY, COUNTY DONEGAL
Maurice Canning Wilks RUA ARHA (1910-1984)

Auction Date / Lot No.: 24 February 2014 / 171

Reserve: €400

  • Signature: signed lower right; with location on reverse; with William Rodman & Co., Belfast label on reverse
  • Medium: watercolour
  • Dimensions: 10.25 by 14.75in., 25.625 by 36.875cm.
  • Provenance: William Rodman & Co., Belfast;Private collection
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PHEASANT IN WINTER
PHEASANT IN WINTER
Robert W. Milliken (b.1920)

Auction Date / Lot No.: 24 February 2014 / 176

Reserve: €800


BOGLAND SCENE, CONNEMARA
BOGLAND SCENE, CONNEMARA
Gerry Marjoram (b.1936)

Auction Date / Lot No.: 24 February 2014 / 178

Reserve: €1500


NEAR LETTERFRACK, CONNEMARA, COUNTY GALWAY and LACKAGH, RIVER, COUNTY DONEGAL (A PAIR)
NEAR LETTERFRACK, CONNEMARA, COUNTY GALWAY and LACKAGH, RIVER, COUNTY DONEGAL (A PAIR)
Robert Egginton (b.1943)

Auction Date / Lot No.: 24 February 2014 / 179

Reserve: €600


NEWTONMORE, SCOTLAND
NEWTONMORE, SCOTLAND
Robert Egginton (b.1943)

Auction Date / Lot No.: 24 February 2014 / 180

Reserve: €400

  • Signature: signed lower right; with original sale receipt affixed verso
  • Medium: watercolour
  • Dimensions: 14 by 21in., 35 by 52.5cm.
  • Provenance: Iverbeg Galleries, Luss Loch Lomond, Scotland;Private collection
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LANDSCAPE
LANDSCAPE
Robert Egginton (b.1943)

Auction Date / Lot No.: 24 February 2014 / 181

Reserve: €400


BY THE OLD BARN AT DAY'S END, 1903
BY THE OLD BARN AT DAY'S END, 1903
Joseph Poole Addey (1852-1922)

Auction Date / Lot No.: 24 February 2014 / 182

Reserve: €600


  Records 1 to 50 of 63     Next 20 results Last results

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