27 May 2013

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FAIR DAY, CLIFDEN, COUNTY GALWAY
FAIR DAY, CLIFDEN, COUNTY GALWAY
Ivan Sutton (b.1944)

Auction Date / Lot No.: 27 May 2013 / 2

Reserve: €1500

  • Signature: signed lower right; signed again and titled on reverse; also with artist's studio label on reverse
  • Medium: oil on canvas board
  • Dimensions: 20 by 30in., 50 by 75cm.
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ON THE ROAD HOME
ON THE ROAD HOME
James S. Brohan (b.1952)

Auction Date / Lot No.: 27 May 2013 / 4

Reserve: €1200


KILLYBEGS, FISHING FLEET, 1966
KILLYBEGS, FISHING FLEET, 1966
Brian Ferran HRUA HRHA (b.1940)

Auction Date / Lot No.: 27 May 2013 / 19

Reserve: €800

  • Signature: signed and dated lower right; with title and artist's [Belfast] address inscribed on original label on reverse
  • Medium: acrylic on board
  • Dimensions: 24 by 32in., 60 by 80cm.
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SHORELINE, 1965
SHORELINE, 1965
Patrick Collins HRHA (1910-1994)

Auction Date / Lot No.: 27 May 2013 / 20

Reserve: €4000

  • Signature: signed and dated lower right; with title on Ritchie Hendriks Gallery label on reverse
  • Medium: oil on board
  • Dimensions: 14 by 20in., 35 by 50cm.
  • Provenance: Ritchie Hendriks Gallery, Dublin;Private collection
  • Exhibited: 'Patrick Collins', Ritchie Hendriks Gallery, Dublin, 24 June to 19 July, 1965, catalogue no. 7 [30gns]
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FIGURE IN A LANDSCAPE
FIGURE IN A LANDSCAPE
Daniel O’Neill (1920-1974)

Auction Date / Lot No.: 27 May 2013 / 23

Reserve: €2500


PORTSALON, COUNTY DONEGAL, c.1931-1937
PORTSALON, COUNTY DONEGAL, c.1931-1937
Norah McGuinness HRHA (1901-1980)

Auction Date / Lot No.: 27 May 2013 / 28

Reserve: €6000

  • Signature: with original inscribed label on reverse detailing title, price [£14-14-0] and artist's address [Bell Steps, Hammersmith Terrace, W6] on reverse
  • Medium: oil on canvas
  • Dimensions: 17.75 by 22in., 44.375 by 55cm.
  • Provenance: A gift from the artist to the present owner's father, who worked for Norah McGuinness during her role as Display Director with Brown Thomas, Grafton Street, Dublin;Thence by descent
  • The date of the present work is tied to the artist's London address at this juncture. McGuinness lived at Bell Steps, Hammersmith Terrace from 1931-1937. During this period she would return to Ireland in the summers to her cottage in Donegal, where the present work was painted. For further reading see Snoddy, pp.384-387.

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LATE SPRING, c. late 1950s
LATE SPRING, c. late 1950s
Daniel O’Neill (1920-1974)

Auction Date / Lot No.: 27 May 2013 / 29

Reserve: €20000

  • Signature: signed lower right
  • Medium: oil on canvas
  • Dimensions: 20 by 24in., 50 by 60cm.
  • Provenance: Victor Waddington Gallery, Dublin;Where purchased in 1957 [the year the gallery closed] by the present owners
  • Daniel O'Neill exhibited at the Irish Exhibition of Living Art in 1944 and the following year met Victor Waddington. Waddington was the leading contemporary gallerist in Ireland at that time and offered O'Neill a contract with his gallery. It was this pivotal association that allowed the artist to leave his job as an electrician and dedicate himself to painting full-time. O'Neill exhibited successfully and regularly with the gallery for over a decade when Waddington closed its doors c.1957. It was during the closing down period when Late Spring was purchased by the present owners. There is a melancholy and a sense of loss evident in this work which recalls O'Neill's interior oil, entitled The Bedroom or The Wake. In both there is a disconnect between the figures and an expressive use of colour and paint application. In Late Spring the sense of loss may be interpreted metaphorically as the title would indicate. Bearing in mind the time when the painting was executed its mood and tone are apt for this period of change in the artist's career.

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CURRACHS OFF ROUNDSTONE
CURRACHS OFF ROUNDSTONE
Gerard Dillon (1916-1971)

Auction Date / Lot No.: 27 May 2013 / 30

Reserve: €25000

  • Signature: signed lower left
  • Medium: oil on board
  • Dimensions: 20 by 24in., 50 by 60cm.
  • Provenance: The Collection of Catherine Walston; Thence by descent to previous owner; Whyte's, 29 November 2005, lot 87; Whence purchased by present owner
  • Gerard Dillon discovered Connemara in 1939 when, on a break from his job as a decorator in London, he toured the area. Coming from Belfast and living in London, Dillon had a very romantic idea of the West. He considered it 'a great strange land of wonder to the visitor from the red brick city', (1) as he put it, and he took every opportunity to stay there. James White wrote that Dillon's unique approach to the landscape of the West came from the fact that 'he looked away from the mist and the heather and became enraptured with the reality of the people, farming, fishing, drinking and dancing'. (2)In 1950-51 Dillon spent a year living on the island of Inishlacken, off the Galway coast. The nearest town on the mainland was Roundstone and he frequently visited and painted there, travelling by boat across the mile of water that separated them. This period on Inishlacken is recounted in James MacIntyre's book, Three Men on an Island, (Belfast, 1996) which contains humorous accounts and illustrations of the antics of Dillon and his fellow artists, MacIntyre and George Campbell as they adapted to island life and to the friendships and adventures that beset them. Currachs off Roundstone depicts a group of currachs drawing up at the quayside of Inishlacken, which is not visible in the painting. Behind them baking in evening sunlight and looking more like a Mediterranean village than an Irish one is Roundstone. The painting evokes the simplicity of life in the West of Ireland in the rudimentary forms of the currachs floating on the surface of the blue-grey sea. In the foremost boat a lobster pot full of catch is visible. From their orange colour the creatures look as if they are have already been cooked, a witticism on Dillon's part. An old man holds the oar upright while his companion pulls the boat towards its docking port. The latter's face is painted green suggesting the shadow cast by the quayside wall. Such expressive and exaggerated use of colour also refers to the exotic nature of the islanders' existence. Dillon was strongly influenced by European expressionism and especially the work of the Jewish painter, Marc Chagall which uses strong evocative colours and childlike forms to recreate the magical scenes of his childhood in Russia before anti-Semitic violence destroyed this world and drove the artist into exile in Paris. Through visiting exhibitions in London and by looking at colour reproductions of modernist art Dillon familiarised himself with such modern art. He combines this aesthetic in his work with a style drawn from Irish Early Christian art especially the carvings of monks and biblical scenes found on the High Crosses.Dillon's work was widely admired in Ireland and in London in the late 1940s and 1950s. He was supported during these years by the art dealer Victor Waddington. This painting belonged to Catherine Walston, a lover of the novelist Graham Greene and a devotee of Irish art. She began staying at Dooagh on Achill Island in 1947 and clearly shared Dillon's veneration for the West of Ireland as presented in this painting. Dr. Róisín KennedyApril, 2013Footnotes:1. Gerard Dillon, 'The Artist Speaks', Envoy, 1950. 2. James White, 'The Early Paintings of the West', Dawson Gallery, Dublin, March 1971.

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SKETCH OF DAN BREEN, 1958
SKETCH OF DAN BREEN, 1958
Seán Keating PRHA HRA HRSA (1889-1977)

Auction Date / Lot No.: 27 May 2013 / 36

Reserve: €1500

  • Signature: signed lower right
  • Medium: charcoal and pastel heightened with white chalk on tinted paper
  • Dimensions: 19.75 by 17in., 49.375 by 42.5cm.
  • Provenance: The Collection of Justin Keating (the artist's son) and former Minister for Industry and Commerce (1973-1977);by whom donated to an RHA fundraising auction, Dublin c. late 1970s;Where purchased by the present owner
  • The commission to paint a portrait of Dan Breen was given to Seán Keating by Todd Andrews, Managing Director of Bord na Móna, in the Spring of 1958. The two men got on extremely well, and Keating found Breen to be an excellent model, very talkative and very interesting. The artist tended to make many sketches before he began to work on canvas, as exemplified in this fine example. Keating completed the oil painting of Breen in the summer of 1958. It was exhibited in the RHA in 1959 and in the major retrospective of the artist's work at the Hugh Lane Municipal Gallery in 1963.Dr Éimear O'Connor HRHATRIARC-Irish Art Research CentreTrinity College Dublin.

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PORTRAIT OF MRS. RUSSELL BIGGS AS A CHILD
PORTRAIT OF MRS. RUSSELL BIGGS AS A CHILD
 Late 19th Century Irish School 

Auction Date / Lot No.: 27 May 2013 / 40

Reserve: €1000

  • Signature: with provenance details on reverse
  • Medium: charcoal heightened with white chalk
  • Dimensions: 22 by 12.75in., 55 by 31.875cm.
  • Provenance: Family of the sitter;Thence by descent;Christie's and Hamilton & Hamilton, Castle Hacket, Co. Galway, 2-4 July, 1986, lot 232 as attributed to Wililam Conor;Private collection, Dublin
  • Attributed by the family of the sitter to William Conor; however, subsequent research has established that this attribution is unlikely. We are grateful to Nelson Bell for his assistance in cataloguing this work.

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BELFAST HOME
BELFAST HOME
William Conor OBE RHA RUA ROI (1881-1968)

Auction Date / Lot No.: 27 May 2013 / 41

Reserve: €5000

  • Signature: signed upper right; with Bell Gallery label preserved on reverse
  • Medium: coloured pencil on tinted paper; (squared for transfer)
  • Dimensions: 10.5 by 8.25 by 5in., 26.25 by 20.625 by 12.5cm.
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RIVER LANDSCAPE
RIVER LANDSCAPE
Frank McKelvey RHA RUA (1895-1974)

Auction Date / Lot No.: 27 May 2013 / 51

Reserve: €2500

  • Signature: signed lower left; with Jorgensen Fine Art label on reverse
  • Medium: oil on board
  • Dimensions: 8.25 by 12in., 20.625 by 30cm.
  • Provenance: Jorgensen Fine Art, Dublin; Private collection
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RIVER BEND, 1913
RIVER BEND, 1913
James Humbert Craig RHA RUA (1877-1944)

Auction Date / Lot No.: 27 May 2013 / 52

Reserve: €2500


FISHING BOATS OFF A HARBOUR, c.1892-1900
FISHING BOATS OFF A HARBOUR, c.1892-1900
Edwin Hayes RHA RI ROI (1819-1904)

Auction Date / Lot No.: 27 May 2013 / 63

Reserve: €20000

  • Signature: signed lower left; with partial inscribed labels on reverse, reads _____ Out to Sea" by Edwin Hayes; with artist's address [Olive Villas, Quex Road, W. Hampstead, London] identifiable on reverse"
  • Medium: oil on canvas
  • Dimensions: 29 by 48in., 72.5 by 120cm.
  • Olive Villas, Quex Road, W. Hampstead, London is listed as the artist's address in RHA Index of Exhibitors between 1892 - 1900, this time frame assists in dating the painting.

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FISHING BOAT APPROACHING A PIER IN HEAVY SEAS, 1860
FISHING BOAT APPROACHING A PIER IN HEAVY SEAS, 1860
Edwin Hayes RHA RI ROI (1819-1904)

Auction Date / Lot No.: 27 May 2013 / 64

Reserve: €10000


PORTRAIT OF ALEXANDER MACAULEY, MP FOR DUBLIN UNIVERSITY, MP FOR THOMASTOWN 1761
PORTRAIT OF ALEXANDER MACAULEY, MP FOR DUBLIN UNIVERSITY, MP FOR THOMASTOWN 1761
 18th Century Irish School 

Auction Date / Lot No.: 27 May 2013 / 66

Reserve: €800


MATTHEW PLUNKETT, 5th BARON OF LOUTH (1588-1629), c.1620
MATTHEW PLUNKETT, 5th BARON OF LOUTH (1588-1629), c.1620
In the Style of Cornelis Jannsens van Ceulen (1593-1661)

Auction Date / Lot No.: 27 May 2013 / 71

Reserve: €5000

  • Signature: with inscribed label detailing title on reverse; also with label inscribed Property of Prof. Stewert" on reverse"
  • Medium: oil on canvas
  • Dimensions: 26 by 22in., 65 by 55cm.
  • Cornelis Jannsens van Ceulen painted Lady Louth, wife of the Fourth Baron, and mother of the present sitter. Matthew Plunkett married Mary Fitzwilliam daughter of Sir Richard Fitzwilliam. Together they had eight children including Oliver Plunkett, 6th Baron Louth. Mary Fitzwilliam later married Gerald Aylmer.The title of Baron Louth in the Peerage of Ireland was created in 1541 for Sir Oliver Plunkett by Henry VIII. His great-great-great-grandson, the seventh Baron, also called Matthew Plunkett, served as Lord Lieutenant of Co. Louth. He was a supporter of King James II and was later outlawed. The title was restored by the 11th Baron (1757-1823). It still survives and is held by the 17th Baron. Saint Oliver Plunkett Archbishop of Armagh and Primate of All Ireland was related to Barons of Louth. His shrine is housed in St Peter's, Drogheda.

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MUCKROSS ABBEY, ROSS ISLAND, KILLARNEY
MUCKROSS ABBEY, ROSS ISLAND, KILLARNEY
William Havell (1782-1857)

Auction Date / Lot No.: 27 May 2013 / 73

Reserve: €300


HOMERIC DESIGNS
HOMERIC DESIGNS
William Maclise, after John Flaxman, RA (1755-1826)

Auction Date / Lot No.: 27 May 2013 / 76

Reserve: €1000

  • Medium: pen and ink drawings
  • Dimensions: 7.25 by 5in., 18.125 by 12.5cm.
  • Pen and ink drawings with inscribed captions and descriptions throughout. Bound in blue and gilt boards with gilt titled and Greek tolled decorated upper and spine. An album of sixty-one illustrations to Homer's Illiad and Odyssey. John Flaxman RA was a British sculptor and draughtsman, and a leading figure in British and European Neoclassicism. Early in his career he worked as a modeller for Josiah Wedgwood's pottery. He spent several years in Rome, where he produced his first book illustrations. He was a prolific maker of funerary monuments.Daniel Maclise had a brother, William Maclise, a surgeon in the army (see Strickland, p.70) and it is likely that these works are by the famous Cork man's brother.

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VIEW OF A STREAM WITH MOUNTAINS BEYOND
VIEW OF A STREAM WITH MOUNTAINS BEYOND
Maurice Canning Wilks RUA ARHA (1910-1984)

Auction Date / Lot No.: 27 May 2013 / 79

Reserve: €500


RIVER LANDSCAPE
RIVER LANDSCAPE
George K. Gillespie RUA (1924-1995)

Auction Date / Lot No.: 27 May 2013 / 82

Reserve: €3000


NEAR TEATIME - THE TURF
NEAR TEATIME - THE TURF
Charles J. McAuley (1910-1999)

Auction Date / Lot No.: 27 May 2013 / 87

Reserve: €3000


CANAL AT REGENT'S PARK, LONDON
CANAL AT REGENT'S PARK, LONDON
Niccolo d’Ardia Caracciolo RHA (1941-1989)

Auction Date / Lot No.: 27 May 2013 / 90

Reserve: €600


STILL LIFE WITH POPPIES
STILL LIFE WITH POPPIES
Grace Henry HRHA (1868-1953)

Auction Date / Lot No.: 27 May 2013 / 93

Reserve: €2000


ALONG THE THAMES, LONDON
ALONG THE THAMES, LONDON
Dorothy Blackham (1896-1975)

Auction Date / Lot No.: 27 May 2013 / 96

Reserve: €300


PORTRAIT OF MISS M. O'CALLAGHAN or STORYTELLER, COUNTY KERRY, c.1950s-1960s
PORTRAIT OF MISS M. O'CALLAGHAN or STORYTELLER, COUNTY KERRY, c.1950s-1960s
Robert Taylor Carson HRUA (1919-2008)

Auction Date / Lot No.: 27 May 2013 / 102

Reserve: €2000

  • Signature: signed lower left; inscribed Miss M. O'Callaghan" and with frame price [50gns] on stretcher on reverse; also with original label on reverse detailing artist's name, address [35 Royal Ave., Belfast], a title ["Storyteller, Kerry"], price [£80] and numbered
  • Medium: oil on canvas
  • Dimensions: 30 by 25in., 75 by 62.5cm.
  • A painting titled The Storyteller was exhibited at the Royal Ulster Academy in 1952 [catalogue no. 22]. It is possible that this is the work that was shown.

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FURTHER WEST, 1999
FURTHER WEST, 1999
Martin Gale RHA (b. 1949)

Auction Date / Lot No.: 27 May 2013 / 107

Reserve: €800


HEAT HAZE, GLENMALURE [WICKLOW] 1984
HEAT HAZE, GLENMALURE [WICKLOW] 1984
Patrick Hickey HRHA (1927-1998)

Auction Date / Lot No.: 27 May 2013 / 108

Reserve: €800

  • Signature: signed, titled and dated lower right; with typed Taylor Galleries label on reverse
  • Medium: oil on paper
  • Dimensions: 23 by 30in., 57.5 by 75cm.
  • Provenance: Taylor Galleries, Dublin;Private collection
  • Exhibited: 'Patrick Hickey, Recent Work', Taylor Galleries, Dublin, April 1986, catalogue no. 10
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BONO: PETER & THE WOLF, 2003
BONO: PETER & THE WOLF, 2003
 Bono" (Paul Hewson)" (b.1960)

Auction Date / Lot No.: 27 May 2013 / 111

Reserve: €2000

  • Signature: signed and numbered by the artist on introductory page
  • Medium: limited edition portfolio of giclée prints; (each no. 22 from an edition of 200)
  • Dimensions: 12.5 by 31.5in., 31.25 by 78.75cm.
  • An excellent portfolio of illustrations by Bono for a 2003 edition of Sergei Prokofiev's Peter and the Wolf printed by Bloomsbury and sold in aid of hospice care worldwide. Comprising of 6 prints, the first signed by Bono, and a copy of the book itself contained within a linen presentation case.

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GLOWING FORM NO. 2, 1966
GLOWING FORM NO. 2, 1966
Alexandra Wejchert RHA (1921-1995)

Auction Date / Lot No.: 27 May 2013 / 116

Reserve: €2000

  • Signature: signed and dated lower left; with exhibition number [25] on reverse
  • Medium: acrylic-vinyl polymer on board
  • Dimensions: 24 by 48in., 60 by 120cm.
  • Provenance: Molesworth Gallery, Dublin;Private collection
  • Exhibited: 'Alexandra Wejchert', Molesworth Number 2 Gallery, Dubiln, 1966 (month unknown), catalogue no. 25
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UNTITLED 4, 1981
UNTITLED 4, 1981
Charles Tyrrell (b.1950)

Auction Date / Lot No.: 27 May 2013 / 118

Reserve: €5000

  • Signature: signed, inscribed and dated on reverse; with Taylor Galleries exhibition label on reverse
  • Medium: oil over acrylic and mixed media on wood
  • Dimensions: 47.5 by 47.5in., 118.75 by 118.75cm.
  • Provenance: Taylor Galleries, Dublin;Private collection
  • Exhibited: 'Charles Tyrrell', Taylor Galleries, Dublin, 22 June - 8 July, 1981, catalogue no. 5
  • This painting was reworked in oil by the artist in 2003.

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FIGURES AGAINST YELLOW
FIGURES AGAINST YELLOW
Edward Delaney RHA (1930-2009)

Auction Date / Lot No.: 27 May 2013 / 123

Reserve: €700


FIGURES AGAINST PURPLE
FIGURES AGAINST PURPLE
Edward Delaney RHA (1930-2009)

Auction Date / Lot No.: 27 May 2013 / 124

Reserve: €700


FIGURES AGAINST BLUE
FIGURES AGAINST BLUE
Edward Delaney RHA (1930-2009)

Auction Date / Lot No.: 27 May 2013 / 125

Reserve: €700


CONDUCTOR STUDY I, 2007
CONDUCTOR STUDY I, 2007
Joseph Sloan (b.1940)

Auction Date / Lot No.: 27 May 2013 / 133

Reserve: €800


IMAGE OF SAMUEL BECKETT, 1979
IMAGE OF SAMUEL BECKETT, 1979
Louis le Brocquy HRHA (1916-2012)

Auction Date / Lot No.: 27 May 2013 / 137

Reserve: €1500

  • Signature: signed and dated in the margin lower right; numbered and inscribed [H/C] lower left
  • Medium: aquatint; (hors de commerce; no. 8 from an edition of 10)
  • Dimensions: 15.25 by 15.5in., 38.125 by 38.75cm.
  • Sheet size: 26 by 20in.

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TABERNACLE, 2006
TABERNACLE, 2006
Patrick O’Reilly (b.1957)

Auction Date / Lot No.: 27 May 2013 / 138

Reserve: €1500

  • Signature: signed and dated on side edge
  • Medium: wax with white gold leaf
  • Dimensions: 22.25 by 22.25in., 55.625 by 55.625cm.
  • Provenance: RHA, Dublin; Private collection
  • In this robust work by O'Reilly we see the artist combine the discipline of sculpture with the conventional presentation of a painting. These unlikely fusions as well as the atypical choice of medium aptly encapsulate the artist and his work. O'Reilly frequently presents difficulties to those attempting to interpret and indeed categorise his art. Brian Fallon acknowledges this and has commented, ...Where to fit him, and how to describe or label him? As an installationist that among other things...O'Reilly is as eruptive, inventive and anarchic in his small pieces as in his large ones. He is perfectly at home in his wide variations of scale and has even constructed a street sculpture in Dublin which he calls the Rockets and which towers to fifty feet high. However it would be an injustice to regard him as essentially a virtuoso of startling effects and quick-fire technical invention; there is an underlying note of social compassion and an identification with the lonely, the misfits and the unwanted ones of society." In 2006, when this work was executed, O'Reilly won the Royal Hibernian Academy Sculpture Prize."

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CLOTH 2, 2006
CLOTH 2, 2006
Rita Duffy PRUA (b.1959)

Auction Date / Lot No.: 27 May 2013 / 139

Reserve: €3000

  • Signature: signed lower right
  • Medium: oil on linen
  • Dimensions: 44 by 56in., 110 by 140cm.
  • Provenance: Purchased directly from the artist by the present owner
  • Exhibited: 'Cuchulain Comforted: by Rita Duffy and Paul Muldoon', Millennium Court Arts Centre, Portadown, April - May, 2007
  • Literature: Cloth, A Visual and Verbal Collaboration by Rita Duffy & Paul Muldoon, Millennium Court Arts Centre, Portadown, 2007, p.31 (illustrated)
  • The present work was used on the dustjacket for the handcopy catalogue which accompanied this exhibition. Illustrated also within the publication, it is accompanied by the following words on the facing page, January 30, 1972. A man of the cloth. Father Edward Daly, walks through the dead and dying under the flag of his pocket handkerchief. It's an image that would put Mairéad Farrell over the edge.The forensics of the thread count.""

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BEACH STUDY, 1981
BEACH STUDY, 1981
Clement McAleer ARUA (b.1949)

Auction Date / Lot No.: 27 May 2013 / 141

Reserve: €400

  • Signature: signed lower right; with Caldwell Gallery label and original catalogue on reverse; also with contemporary newspaper cutting relating to exhibition on reverse
  • Medium: pastel
  • Dimensions: 15.25 by 11in., 38.125 by 27.5cm.
  • Provenance: Tom Caldwell Galleries, Dublin;Private collection
  • Exhibited: 'Clement McAleer', Tom Caldwell Galleries, Dublin, February, 1981
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BIRD MAN
BIRD MAN
John Kingerlee (b.1936)

Auction Date / Lot No.: 27 May 2013 / 144

Reserve: €300


GIFT BEARER, SERIES 6, 2005
GIFT BEARER, SERIES 6, 2005
Michael Mulcahy (b.1952)

Auction Date / Lot No.: 27 May 2013 / 148

Reserve: €500


MADONNA AND CHILD and TWO OTHER WORKS
MADONNA AND CHILD and TWO OTHER WORKS
Bernadette Madden (b.1948)

Auction Date / Lot No.: 27 May 2013 / 151

Reserve: €500

  • Signature: the first, signed lower right and with artist's label on reverse
  • Medium: batik; (3)
  • Dimensions: 19 by 16in., 47.5 by 40cm.
  • Two other works depict The Nativity (26 by 35in) and a Rabbit Among Foliage (16 by 17in).

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TWO SHAWLIES IN BROWN LANDSCAPE WITH MOUNTAIN BEYOND
TWO SHAWLIES IN BROWN LANDSCAPE WITH MOUNTAIN BEYOND
Markey Robinson (1918-1999)

Auction Date / Lot No.: 27 May 2013 / 155

Reserve: €2500

  • Signature: signed lower right
  • Medium: oil on board
  • Dimensions: 18 by 23in., 45 by 57.5cm.
  • Provenance: Fr. Ó Loideáin (Leyden) Mission Antiques, Clarendon St., Dublin;Private collection
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ROAD TO THE SEA
ROAD TO THE SEA
Markey Robinson (1918-1999)

Auction Date / Lot No.: 27 May 2013 / 156

Reserve: €1500

  • Signature: indistinctly signed lower right
  • Medium: oil on board
  • Dimensions: 9.25 by 19in., 23.125 by 47.5cm.
  • Provenance: Whyte's, 17 September 2002, lot 216;Whence purchased by the present owner
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LANDSCAPE WITH TREE AND BOAT BEYOND
LANDSCAPE WITH TREE AND BOAT BEYOND
Markey Robinson (1918-1999)

Auction Date / Lot No.: 27 May 2013 / 160

Reserve: €500


SELF PORTRAIT WITH PALETTE and PORTRAIT OF W. B. YEATS (A PAIR)
SELF PORTRAIT WITH PALETTE and PORTRAIT OF W. B. YEATS (A PAIR)
Donal O’Sullivan (1945-1991)

Auction Date / Lot No.: 27 May 2013 / 161

Reserve: €300

  • Signature: signed lower centre and lower right respectively
  • Medium: pastel; (2)
  • Dimensions: 13.75 by 8.75in., 34.375 by 21.875cm.
  • Dimensions of second title: 25.25 by 13.75in.

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CHINA BLUE II
CHINA BLUE II
Maura Taylor Buckley (b.1930)

Auction Date / Lot No.: 27 May 2013 / 166

Reserve: €1800


MULLAGHMORE HARBOUR, COUNTY SLIGO
MULLAGHMORE HARBOUR, COUNTY SLIGO
Ivan Sutton (b.1944)

Auction Date / Lot No.: 27 May 2013 / 171

Reserve: €1800


YACHTS CROSSING
YACHTS CROSSING
Kevin Geary (b.1952)

Auction Date / Lot No.: 27 May 2013 / 177

Reserve: €500

  • Signature: signed and titled on reverse
  • Medium: acrylic on canvas
  • Dimensions: 20 by 20in., 50 by 50cm.
  • My own favourites are the sailboats. Not just because I like sailboats - I do - but because I like the mix of figuration and abstraction that you use so well." Anthony Haden Guest, Financial Times art columnist, in correspondence with the artist."

  • Have one to sell? Interested in Similar Items?


SUBLIME POINT, 1999
SUBLIME POINT, 1999
George Henry Smyth (b.1968)

Auction Date / Lot No.: 27 May 2013 / 178

Reserve: €800


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